SUSPENDIX BELLOW BRIDGE

Povlačenje struna preko krajeva žica između kordara i kobilice po istom principu kao i kod prethodnog poteza, ali zbog efikasnije kontrole izuzetno je važan kontakt desne ruke. Potez proizvodi glasne i ne sasvim prijatne visoke alikvote kratke žice pod pritiskom, te ja važno fokusirati se na manju količinu gudala - koliko dozvoljava raspon šake - palca desne ruke fiksiranog na telu violine ili kordaru. 

Za konkretniji nojz potrebno je primeniti veći pritisak, imajući u vidu već veliko opterećenje žica na gornju ploču instrumenta u tom predelu. 

straining bow hairs over the string ends 90 degrees in relation to the bridge, use slow and medium speeds, lighter and harder pressure to investigate pitch range

Usually it is most common to fix the right hand thumb at the tailpiece but these "comfort" decisions are to be made by each performer according to personal hand musculature. If played intensely this stroke can bring quite unpleasant noise but also it is a perfect way to meet full pitch pallet – scale of the string's ends. 
If played with care might start sounding like a dolphin language.